We offer group photography courses and workshops in the Sydney metropolitan area. These are very effective as an introduction to digital photography. If you would like a more "personalized" approach, we also have individual private photography lessons to cover a wide variety of topics: Anything from advanced photo composition to post production with Photoshop and [...]

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Preserving your art charcoal as sharpened as possible is important to okay sketching. So many people are surprised once they initial realize that art charcoal might be sharpened like a pen. This is probably simply because most of the art charcoal out there is likely to fall apart or break down when any force is [...]

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 Hans Hoffman, Effervescence, Berkeley Art Museum (BAM). Going back in time to study with one of the most influential teachers of modern art would require a time machine and I am afraid that we haven't built one yet. But the next best thing is right here in the Bay Area. UC Berkeley has a huge [...]

The multidisciplinary nature of Schwitters’s output, which can make a career survey look like a group show, may be one of the reasons he remains an little known figure. His sole American retrospective, at MoMA, was 25 years ago. Representative samplings of his art have since rarely been on view, there or elsewhere. Yet he [...]

For outstanding online photo printing, look no further than www.photoworld.co.uk . As so many of us lead busy lifestyles that prevent us waiting for hours in the high street or supermarket for our prints, more and more of us are turning to more convenient online services. However, many of these services are inferior and overpriced, [...]

 Peter Bissegger: Reconstruction of Kurt Schwitters's Merzbau, 1981-83 (original ca. 1930-37, destroyed 1943); 154-3/4 x 228 3/8 x 181 in.; Sprengel Museum Hannover. Photo: Michael Herling / Aline Gwose, Sprengel Museum Hannover (c) Peter Bisseger. Kurt Schwitters, Color and Collage” which opens Wednesday at the Berkeley Art Museum is the first major overview of the [...]

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I often wonder how work that is this intellectual and non-emotional will hold up. Will the next generation care about it the way we care about Rembrandt and Matisse? I don't find him very interesting myself but I do realize that conceptual art is the flavor of the decade (for some). Yesterday, the San Francisco [...]